© 2020 reddit inc. All rights reserved. New bassists, please listen to James Jamerson. Bruce Horsnby – keyboards (1990-1992) The run’s opening night on June 14th got off to a strong start but had to be halted after five songs because of technical issues. Phil Lesh - Bass and Synth (Trombone, FilterSweeps, French horn, Strings, Bells) Bob Weir - Guitar and Synths (Bells, Glockenspiel, Vibes) Jerry Garcia - Guitar and Synths (Trumpet, Mandolin, Voices, Strings) "Silver Apples of the Moon" (Hornsby, Welnick) – 5:41 Tom “T.C.” Constanten – keyboards 1968-70 Bass strings resonate. “Box of Rain” remained a staple in the band’s repertoire for the rest of their career and unlike most of the band’s songs, it could and would turn up in almost any part of the show. A rare Bass solo by Phil Lesh. Rick Beato Recommended for you. The band topped all of that, however, by finishing the set with a trio of knockout punches. The original Guild Starfire Bass II was introduced in 1967, at the height of the psychedelic rock era, and the bass found its way into the hands of two of the scene’s most prominent players: Jefferson Airplane’s Jack Casady and the Grateful Dead’s Phil Lesh. We’ve included an audience recording here so you can hear the crowd cheering when Phil starts to sing his solo lines in the second verse. But this show has a lot more to offer than just “Keep On Growing”: Garcia would bust out the first “Stagger Lee” since 1982 as the very next song, and later he’d start the second set with “Morning Dew” for the first time since 1973 before busting out the first “Comes A Time” since 1980 just two songs later. Wood Samples. We encourage you to report spam posts or posts that violate the rules, but please send a message to the moderators at the same time. http://www.rukind.com/forum/viewtopic.php?f=421&t=7431, http://www.jambase.com/Forums/Thread.aspx?topic=1&thread=37476. Hello fellow Deadhead. New Bass Day (NBD) and Gear posts go into the weekly threads. After a short break, the band returned to finish the first set and used the occasion to deployed a huge surprise: a bust-out of Derek & The Dominos’ “Keep On Growing” that got a fantastic response. Brent Mydland – keyboards (1979-1990) Facebook. It’s difficult to find an entire show from these two years that holds up compared to earlier years, but there were still parts of shows that were strong, along with individual highlights to be found here and there. This is one of the most famous Grateful Dead shows that has yet to receive an official release, but it’s surely only a matter of time. To expand on my other comment, I think this is the bass he used mainly in 74. Throwing Stones Bass Cover Grateful Dead Phil Lesh - Duration: ... You’re Probably Using The WRONG Guitar Strings - Duration: 16:10. Turn up the volume and let’s dive in! Can anyone point me in the right direction to achieve this sound? We’re sure that hardcore Lesh lushes will recognize many of them right away, and there are four from the ’70s, four from the ’80s and two from the ’90s. For amplification, Phil mainly relied on McIntosh amplifiers, using a tube-based 3500 model before switching to a solid state 2300 model. Phil Lesh and his short scale Series II 6-string bass « Reply #24 on: February 18, 2016, 04:12:54 PM » Yeah, you would probably be more likely to see The Dead - that's the other three surviving members of the Grateful Dead, currently with John Mayer on guitar and Oteil Burbridge on bass. Youtube. Finally, the band slammed it home with the rock ‘n’ roll via the Chuck Berry classic “Around & Around” and its frantic double-time break. It’s always been one of those things that just seemed to make people stop their cassette, rewind it 30 seconds or so, and then turn the stereo up louder before playing it again. This version remains our favorite and gets the nod here because this was one of the nine shows Hornsby played with the Grateful Dead band after leaving as a full-time member after the Spring Tour in 1992. The introduction sounded strange without Garcia’s bass-strings riff, but they punched out the chords with gusto, Phil’s voice sounding extra-impassioned in its raspiness but scrambling the beginning/ending of verses 2 and 3. So much of a players sound comes from them and the way the play more than what they play. Maybe it was the torrential thunderstorm that would have stopped this show if it was happening today. During this time, Phil also had the task of handling the group’s high vocal harmonies, at which he excelled with his near-perfect pitch. This legendary version from Cape Cod Coliseum during Mydland’s first year with the band, however, is the one that makes just about everyone’s shortlist. In honor of Phil Lesh's 80th birthday on Sunday, we present an expanded version of Dave Schools’ conversation with Phil from our February-March 2009 Not only was his playing on, his tone that night was a little thicker and fuzzier—as if he used an effects pedal that wasn’t a normal part of his setup. use the following search parameters to narrow your results: Check the sidebar, the FAQ, and search for your answer before making a post. The modded Guild saw most of its action during 72 but was used on occasion throughout the 70's as a backup I think. It would be the only time he’d play an entire show with the band, which had expanded to include Welnick and Hornsby in the wake of Mydland’s passing the year before. As was so often the case, the centerpiece of this show was the big jam in the second set, which kicked off with a beautiful “Dark Star”. Among today's players, Phil especially likes the playing of Weather Report's Jaco Pastorius. This intro would come and go over the years, and along with Phil’s equipment and playing, it would change and evolve over time. At its conclusion, Lesh took a then-rare solo accompanied by the drummers, and it’s impossible not to love it—particularly since it led right to the funk and a definitive version of the Grateful Dead’s “disco” arrangement of “Dancing In The Streets” that contained a Garcia guitar solo for the ages. It also helps that the recording that does exist is an amazing one, and it was engineered by Owsley “Bear” Stanley* who, fresh out of federal prison after serving two years for manufacturing LSD, caught lightning in a bottle on this night. The Grateful Dead were a tired and road-weary band during their final two years of existence in 1994 and 1995. "It had telephone poles for strings. The show received an official release as the 1991 show in the “30 Trips Around The Sun” box set from 2015, and pretty much the entire show is one ongoing highlight. Also, by the time Alemibc was done with the modding, the only part of that bass that was still Guild would've been the wooden body itself. Lesh provided bass, with Ross James and Grahame Lesh on guitar and vocals. The rare jam on the riff of their 1965 song “Caution: Do Not Stop On Tracks” served as the alley-oop pass, and Lesh’s “Other One” intro was a slam dunk that shattered the backboard Moses Malone-style. This version kicked off the second set, and as he was so often able to do during his time in the band, Hornsby successfully pushed Garcia into playing harder for the rest of the show. 24, which quickly sold out. Ok, so I'm wondering how to get Phil Lesh's tone with my current setup. You’re doing this thing about Phil and that’s cool. Famed for his three-decade stint as the bassist with the Grateful Dead, Phil Lesh was born March 15, 1940 in Berkeley, CA; rooted in jazz and classical performance, he initially explored the violin and trumpet, and while attending Mills College studied avant-garde composition and electronic music under the tutelage of Luciano Berio. Instagram. Donna Godchaux – vocals (1972-1979) Phil and Dan met (photo) at the June 22 “Phil Lesh & Friends” show in Gilford NH. Looking for Phil Lesh early 70s tone (self.Bass), I would like my bass to sound like thus: https://youtu.be/fxDqyQSJmPU?t=16. Even the folks that can’t remember being there haven’t forgotten about this one. These are the strings we ship on our new basses. You’re gonna talk about *that*, right?”. Mickey Hart – drums (1967-1971, 1975-1995) The band only waited two shows (until the tour’s next stop in Charlotte) to play it again. Phil Lesh would not have reached the age of 80 without the liver transplant he received in 1998, and if you’ve seen him perform live since then you’ve heard him advocate for becoming an organ donor ahead of the encore at every show he plays: “All you have to do is tell your family: ‘If something ever happens to me, I want to be an organ donor.’” Lesh’s printable donor card can be found here. This show got an official release as the 1979 show in the sold-out, 80-CD “Thirty-Trips Around The Sun” box set in 2015. Modulus Graphite (formerly, Modulus Guitars) is an American manufacturer of musical instruments best known for building bass guitars with carbon fiber necks. By the time the band was coming out of the “Space” segment, it had gotten to the point where Weir saw fit to try out his “Bob Star” ditty for a second and final time as a lead-in to a shorter but forceful version of “The Other One”. Also, do not post links to giveaways where you personally benefit (getting more entries) by propagating (spamming) a link. Posts made outside of the thread will be removed and asked to be reposted. Don't use the sub to sell or advertise your gear (with very few exceptions, ask the mods). Also you linked a 74. The most visually striking bass in Gordon’s arsenal is his Moiré bass, built by Ben Lewry of Visionary Instruments. http://www.jambase.com/Forums/Thread.aspx?topic=1&thread=37476, [–]rigorousdouche[S] 0 points1 point2 points 5 years ago (1 child), Thanks, man, I appreciate it. However, we’re probably just as bummed out as he is about the COVID-19 crisis prompting the postponement of this weekend’s run of three Phil & Friends shows at The Capitol Theatre in Port Chester, NY to celebrate the successful installation of Phil Version 8.0. [–]Ferniff 0 points1 point2 points 5 years ago* (2 children). So far, so normal, but after around 15 minutes, the band backed off to create an on-the-spot opportunity for Lesh to deliver one of the most gloriously unkempt bass solos in the history of rock ‘n’ roll. In 1984, Lesh resumed singing for the Grateful Dead, more than a decade after blowing his voice out during the 1974 “Wall of Sound” era. The band had limited the use of the MIDI technology to the “Space” segment of the show until that year’s fall tour so they could experiment more freely, but on this day Lesh went wild with his new toys about halfway through the segment and generated a truly brain-bending segment of sound overload. [–]TopFloorBottomBuzzer 4 points5 points6 points 5 years ago (1 child). The first set alone contains the debuts of “Terrapin Station” and “Estimated Prophet” and a 25-minute odyssey of “The Wheel” dropped into the middle of “Playing In The Band”. It’s also the only one of the ten live versions of “Unbroken Chain” on which he plays. 16:10. They can allow a guitarist  to pluck a string and have it sound like a woodwind or brass instrument, or whatever else they wanted, essentially turning a guitar or a bass into a portable synthesizer that could also “play” stored sound samples. Mult-screw neck joint. CX-3 strings can be used on any bass where a flexible sounding string is required. The song was in regular rotation by the time the band celebrated their 20th anniversary with a run at Berkeley’s Greek Theatre in June, but now Phil needed another one to go with it. The first half of the second set is anchored by a gleaming, 26-minute version of “Help On The Way” > “Slipknot” > “Franklin’s Tower”, followed by a quick “Promised Land” as a palate cleanser. Part of your playing technique should involve muting the strings that are not being played with your fretting hand. These strings are played in unison with the bass strings, thereby producing a natural chorus effect. Coverpages. As was so often the case, the centerpiece of this show was the big jam in the second set, which kicked off with a beautiful “Dark Star”. She was the girlfriend of Phil Lesh of the Grateful Dead, and introduced the two of them — Rick had done an inlay on a bass for Jesse Colin Young, so she thought they’d have something to talk about. Use r/Gear4Sale for selling gear. This is one of the most famous Grateful Dead shows that has yet to receive an official release, but it’s surely only a matter of time. *It would be very difficult to overstate the influence that Owsley “Bear” Stanley (1935-2011) had on the Grateful Dead. This one of the situations where you could have an identical set up and still not be able to sound anything like Phil Lesh because you're not Phil Lesh. Please tag video or audio of you or your band with [Feedback] in the subject line of the post. Grateful Dead bassist Phil Lesh turns 80 today, and we’re almost as happy about that as he is. 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